A concern that Gildo Medina explores by putting aside the traditional support is to integrate art as a part of the speech of our daily environment, through works that we can carry, ergonomic pieces which dialogue with the world as they are not fixed to a wall or a base, portable pieces that tell stories and follow the movement of the collector’s body.

Our personality transforms according to the environment in which we are,
our behavior and how we relate to each other, it is different in the intimacy of a family space than in a public or someone else’s space; we are a social landscape that changes with the context, like the pieces that shape the nucleus of Gildo Medina’s work, they as well mutate in the walking of the collector who carries them, pieces that go out to the world to close the cycle of their message with the context, turning the carrier themself a part of the speech of the neoportrait..

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